Lunch Music is a set of pieces for voices, percussion and live electronics, inspired by the 1959 book Naked Lunch by William S. Burroughs. On this recording the virtuosity of percussionists Slagwerk Den Haag (recently heard on the recording of Michael Gordon’s Timber) and contemporary vocal specialists of Silbersee are embedded in a rich sonic environment of electronics, modulated voices, grinding pulses and hallucinatory noises.
The effect of one voice speaking through another, of mediumship and possession, is a central musical concept in the piece, and it is manifested in the way the live electronics, controlled by the percussionists, modulates the voices of the singers and the various fragments of samples heard: from the voice of Burroughs to snippets of 50s pop songs.
“A Life Is A Billion Heartbeats” continues Yannis Kyriakides + Andy Moor's exploration and mining of the rich and mysterious terrain of Greek rebetika music from the early 20th century. In this new set of songs they have revisited similar elements but with a new approach in the combination and juxtaposition of rebetika elements with their own distinct sonic explorations. The music travels from more composed and arranged renditions of the old tunes, to completely improvised pieces that try to capture a sense of the gesture and tonalities of the source music, albeit with a contemporary edge.
In “Resorts & Ruins”, a set of three recent sound works, Kyriakides deals with several themes in both a physical and narrative sense. All the pieces use source material that highlight specific vocal traditions, namely Turkish pop music, Cypriot epic song, and Baroque opera, but they also all make extensive use of other forms of speech and vocal acts. In “Varosha (Disco Debris)”, a narrating voice is our tour-guide in the ruins of the Cypriot ghost town Varosha. “The 100 Words” is made up entirely of voices synthesized with electronic sounds. Commissioned and created at the GRM studios in Paris. “Covertures” consists of walls of sound made up from frozen moments from opera convoluted with the sounds and voices of crowds.
First DVD release of music text films series that will eventually comprise about 15 pieces. “Dreams” brings together 3 pieces recorded by Ensemble MAE and ASKO : dreams of the blind, the arrest and subliminal: The Lucretian Picnic.
dreams of the blind was awarded the Willem Pijper Prijs by the Johan Wagenaar Stichting. The prize was given on December 10th 2011 at the Korzo theatre in Den Haag, as part of the Dag in de Branding.
Limited edition release of 250.
“ This 2-CD set collects ten pieces by Yannis Kyriakides composed between the late-1990s and the present, spanning some thirteen years of work. It offers a view of a world that is rich both musically and conceptually. These compositions are small-scale in terms of the number of performers required, but large and imposing in sonority, idea, and emotional intensity. For want of a better term we could call them chamber music: the chamber music of a new century. ”
Antichamber won a Qwartz electronic music award in 2011.
Andy Moor (guitar) and Yannis Kyriakides (computer) lovingly deconstruct and reassemble their favourite rebetika music in a set of 9 pieces that encompass a wide scope of musical vision. This is an unusual and original take on the so called ‘blues’ music of the Greek diaspora of the early 20th century. Originally recorded and released as an exclusive download for Seven Things, this live set recorded in Glasgow's CCA in 2006 is a re-release on CD with two additional tracks.
“Folia” is the third CD collaboration of Andy Moor (guitar) and Yannis Kyriakides (computer) created in 2009 and performed in numerous festivals and concerts that year. It is an epic reworking of the famous tune from the 16th and 17th centuries called “La Folia”. Fusing influences from this and South American folk music, they create a unique sound world of slowly evolving soundscapes, fluctuating beats, and rich oscillating harmonies.
Trumpet virtuoso Marco Blaauw, known for his pioneering performances of contemporary classical music has been working with composer and sound improviser Yannis Kyriakides in numerous projects including a multi-media perfomance “co-inc”, and several projects for the ensemble musikFabrik in Cologne. “Play Robot Dream” is a set of improvisations for trumpet(s) and computer. At times playful, at times meditative, they fuse a haunting melodic tendency with a provocative mix of drum machines and analogue electronic sounds.
Electronic suite of 12 portraits based on interviews from the BBOT-BNA archives.
Recieved honorary mention in ARS electronics 2006.
Tido Visser (voice), Marc Reichow (piano), Nikos Veliotis (cello), and Seamus Cater, Mara Tomanek, Mark Morse, Ayelet Harpaz (additional speech).
Electronic music theatre piece based on Spinoza performed by the Veenfabriek. Ayelet Harpaz (voice) , Anne Falbourn (hpschd), Tatiana Koleva (percussion), Carola Arons and Bert Luppes (actors), directed by Paul Koek.
Improvised duos by Andy Moor (guitar) and Yannis Kyriakides (live electronics). The opening chapter in a blossoming collaborative partnership.
Turkish classical and gregorian chant performed in an eastern style by the Al Farabi Ensemble of Wouter Sweets. Kyriakides appears as an Ud player. Released on Pan Records (PAN2073) in 2001.
Collected European festival recordings made between July and November 1997 by this all-star elec(tron)ic improvising ensemble led by AMM's resident 'flat guitarist' Keith Rowe. Also featured: Mego's Christian Fennesz (sampler) and Peter 'Pita' Rehberg (computer), Gert-Jan Prins (electronics, radio), Phil Durrant (violin, electronics), Jerome Noetinger (electronics, tapes), Richard Barnett (computer, sampler), Justin Bennett (analogue synthesizer), Cor Fuhler (piano, electronics), Yannis Kyrakides (violin, electronics), and Thomas Lehn (analogue synthesizers).
32 compositions for music box by Dutch composers, including mobylette by Kyriakides.(EW 9413); Label/Year: VPRO, 1994.